Devotee of the monstrous feminine, reality TV, and maximalism, Kellina uses writing to examine non-serious and overlooked material with serious attention and care, with a special interest in contemporary horror films. Kellina’s work — criticism, personal narrative, and hybrid — appears in The New York Times, Food for the Worm, FLOOD Magazine, HASH, and The Final Girls. Graduate of Columbia University’s MFA program in creative nonfiction writing, Kellina is an experienced writer, editor, and teacher.